Minami Aoyama
2-16-15 Minato-ku, Tokyo
107-0062, Japan
http://www.narisawa-yoshihiro.com/107-0062, Japan
Anyone up for lunch and a show? For those of you who’ve been
following me on Tumblr, you’ll know that I spent a couple of weeks in July
eating my way around The Land Of The Rising Sun. And even though I had already
spent over three grand on the holiday itself, I couldn’t pass up the opportunity
to have just one ‘splurge’ meal; not when I’m in the country that holds the
most Michelin stars in the world. So after extensive research, I settled on Narisawa, a 2-Michelin Star
restaurant in Tokyo, placing at number 20 in the San Pellegrino’s Top 50
Restaurants In The World.
Having booked months in advance
(tables go fast, predictably), I was extremely excited when the big day rolled
around, and subsequently ended up at the restaurant 15 minutes early. But like
any good restaurant, they took my eagerness in stride, and soon I was seated in
a deep leather chair, ready to begin my 11
Course Lunch Degustation (12000 yen/person)
The food at Narisawa may be French Fusion,
but the restaurant itself is undoubtedly Japanese. It shows itself in the
modest decor, the restrained but attentive staff, and the menu itself, which
was very much a reflection of nature and the changing seasons. When I visited
it was the peak of summer in Japan, and the theme of the meal, Evolve with the Forest, gently but
insistently drew attention to the beauty of the summer landscapes.
The meal began with a marvellous
display of bread being made right at the table. Instead of commercial bread
churners and ovens, the dough rose with the aid of a candle flame, and was then
scraped into a blistering hot stone pot, sprinkled with herbs, and left to
sizzle in a nest of leaves and bracken.
What resulted was a hot little egg
with a crispy shell and a fluffy, delicate center. The pale butter, disguised
cleverly as a moss-covered rock, added a subtle creaminess to the sweetly
herbed bread.
And because it would be a crime to
let good butter go to waste, I slathered what was left of it on crusty wedges
of sourdough, and a tough little round of green tea bread.
Essence of the Forest and Satoyama Scenery/Sumi |
The first course was named Essence of the Forest and Satoyama
Scenery. This dish made for a beautiful tableau of the understated,
organic beauty of a summer forest. It was evoked by a simple display of
Japanese herbs (raw and tempura) as leaves, fried some-sort-of-root (I know,
very professional of me) to look like bark, and a mossy soil cleverly made with
green tea and charcoal. A little cylinder of wood at the side contained a refreshing
drop of spring water infused with oak. It was at this point at which I sorely
wished that I had lugged my DSLR from home.
Oh and see that black thing on the
black plate in the background? I didn’t realise it at the time, but it was the
2nd course – Sumi.
Sumi is a signature technique used by the chef, Yoshihiro Narisawa, which
involved deep frying in charcoal to form a delicate batter. And whilst i really
liked the light and fluffy batter which left the sweetness of the onion petal intact,
I didn’t find anything remarkable about this dish.
Okinawa |
My third course, Okinawa, was a tribute to the
southernmost prefecture of Japan. It comprised of a delicate sea snake soup, in
which bobbed 2 cubes of crispy-skinned pork, and a yam dumpling. I got a little
excited over this one and ate some before I remembered to take a photo, but it
was justified, given the clear umami soup that balanced a faint brininess and
an unctuous porkiness. I was especially enamoured with the yam dumpling, which
was a fluffy yet slightly sticky mouthful that soaked up the soup wonderfully.
'Gion Festival' Eggplant |
The next dish, ‘Gion Festival’ Eggplant was as beautiful as the geisha that
grace the district. I was lucky enough to see some of the floats parading
during the summer festival, and this did indeed reflect their elegance and the
delicacy. However I found that this dish lacked substance. Whilst it was
described to consist of eggplant cooked 2 ways, shiitake mushrooms, flowers,
and tomato jelly, all I could really taste was soft pan-fried eggplant, sour
jelly, and none of the umami the ingredient list promised.
‘Ash 2007’ Scene of the Seashore |
Let me start by saying that ‘Ash 2007’ Scene of the Seashore
was a magnificent dish, definitely one of the best things I’ve eaten all year. A
pearly piece of squid was placed in front of me, looking very naked all by
itself on the large plate. This dish is meant to represent the fishermen
charcoal-grilling their catch on the seashore, explained the waiter. I was
confused; all I’m getting here is raw squid on a pier.
‘Ash 2007’ Scene of the Seashore |
But one spoonful of the ash
dressing and the entire scene came alive. All of a sudden I could see the
endless ocean, glowing charcoal, and hungry workers after a long, hard day. The
squid was tender yet retained just the right amount of bite, and the dressing –
a simple affair of olive oil, lemon, and paprika – was invigorating, a
beautiful backdrop to the freshness of the seafood.
Luxury Essence 2007 |
The theatricality was continued
with a clear broth of chicken, ham and pork, suspended in a glass bulb like a
large golden droplet. It really does earn its name of Luxury Essence 2007.
Luxury Essence 2007 |
The soup, having been cooked for
over 6 hours, was smoky but gentle. It formed a delicate backdrop to the moist
and flaky tilefish, fresh pieces of wintermelon, and the intriguing pieces of
watergrass jelly that slipped and popped in the mouth. By this point in the
meal, I had to surreptitiously loosen my belt by one buckle.
Langoustine, Odawara Bay |
Langoustine, Odawara Bay |
The spectacle of nature continued
with the Langoustine, Odawara Bay,
a bouquet of summer vegetables hiding a butterflied scampi. Having been cooked
in three ways – steamed, grilled, and not at all – the vegetables were a lovely
tango of textures, from fork-tender okra, to summery grilled yellow zucchini,
wrapped up in fuzzy raw fronds of fennel. And don’t even get me started on the
pearly crustaceans, its sweetness brought out by the savoury sauce and so very
tender with just a little crunch.
Free Range Pork, Kagoshima |
The final savoury dish was the Free Range Pork, Kagoshima. The
pork may look raw, but it has actually been slow-cooked through in olive oil at
60oC to retain all its moisture. It was a prime cut of meat
well-cooked, and the buttery richness needed nothing else but a swish through
the aged garlic sauce.
Matcha |
I was stuffed at this point, but
luckily my dessert stomach came to the rescue when I was presented with the
palate cleanser, Matcha. The
simplicity of the name was reflected by the dessert, a simple affair of matcha
panna cotta and matcha sauce layered in a martini glass, topped with Japanese
jelly. It was the perfect in-between morsel, the bitter grassiness of the
green tea sauce countered by the milky panna cotta, and the sweet little globes
of jelly.
Pina Colada |
Then came the most magnificent
dessert I’ve ever eaten, the Pina
Colada. It was essentially the famous cocktail in dessert form, a
hollowed out pineapple housing pieces of fresh pinapple, mango and
passionfruit, coconut jelly, mango sorbet, and lime foam. It even came with a
rim of cream and toasted coconut. And just in case that wasn’t luxurious
enough, the pineapple was then drizzled with a shot of the creamiest pina
colada, shaken and strained at the table. It was a meticulously thought out
dessert, light but still indulgent after the long meal.
But wait! There’s more! Just when I
thought I couldn’t possibly eat another bite, the fabled dessert trolley was
wheeled out, groaning under the weight of tropical fruits and a boggling range
of petit fours. Maybe, just maybe, I could make a little more room.
Petite Fours |
Unfortunately my gluttony had a
limit, so I chose only 5 pieces from the trolley – Blackberry Tart, Chocolate
Cake, and three Maracons
in Coconut, Caramel, and 66% Cocoa. Each morsel was made
to perfection, but I particularly enjoyed the salted caramel macaron, with the
fluffy yet chewy shell, and oozy center. I was also offered tea/coffee, but I’d
be kidding myself if I said I could fit it in.
Because I’ve been more than
sufficiently verbose up until this point, I will end by simply saying that,
whilst Narisawa doesn’t serve the most stunning food in terms of flavour
(though there were a couple of outstanding dishes), I can easily understand how
it earnt its 2 Michelin stars. It goes back to the roots, paying tribute to the
lands and seasons for the produce that is reaped. It is one heck of an
experience.
Rating: 16/20
Very theatrical indeed! I particularly like the bread being baked at the table. Very cool.
ReplyDeleteAbsolutely amazing! You can hear and smell it sizzling in the little stone pot :)
DeleteTwinnie! Are you in Japan atm?
ReplyDeleteThat looks absolutely stunning. A very Heston-esque restaurant feel! So jelly!
Unfortunately I'm not, I miss japan so much :(
DeleteWahh the scene of the seashore dish looks spectacular!!
ReplyDeleteHi, thanks for dropping by! That dish tasted even better than it looked, I'd highly recommend visiting Narisawa if you're ever in Tokyo :)
ReplyDelete